close-up on quality
with staggering, life-size detail
Cinematographers looking for superior quality for tabletop cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, ARRI Master Macro 100 delivers images of staggering beauty.
It; can be used on any PL mount 35 mm film or single-sensor 35 format digital camera. It can also be used on PL mount 16 mm film and single sensor 16 format or 2/3” digital cameras.
The Master Macro 100 is Super Colour Matched to the other Master Primes, Ultra Primes, Ultra 16 lenses, Lightweight Zoom LWZ-1 and Master Diopters, so the cinematographer can craft a look on the set rather than matching lenses in post. Additionally, the iris opening of the Master Macro consists of nine high precision leaves, resulting in round and natural-looking out-of-focus highlights and an organic bokeh.
Unlike most other macro lenses, the Master Macro 100 has been designed and built specifically for close-up motion picture cinematography. The result is a lens that meets the highest demands in image quality and handling.
- Dedicated for Motion Picture Macro Work
- 100 mm macro lens with 1:1 magnification ratio
- Wide T-stop range: T2.0 (infinity)/T4.3 (close focus) to T32
- Master Prime Optical Quality
- Super Color Matched to Master Primes, Ultra Primes, Ultra 16 lenses, Lightweight Zoom LWZ-1
- Expanded focus scale (1.4x revolutions) for greater accuracy
- LDS for display of T-stop compensation on WRC-2
|Name||Master Macro 100/T2.0|
|Type (1)||Makro-Planar T* XP|
|Lens Mout (2)||PL-LDS|
|Aperture (3)||T2.0/T4.3 to T32|
|Close focus (4)||0.35 m / 13 3/4″|
|Magnification ratio (5)||01:01|
|Length (6)||202,7 mm / 8″|
|Front diameter (7)||114 mm / 4.5″|
|Weight||2.6 kg / 5.7 lbs|
|Horizontal angle of view ANSI Super 35 (8) ID = 31.14 mm (11)||14.02°|
|Horizontal angle of view DIN Super 35 (9) ID = 30.00 mm (11)||13.52°|
|Horizontal angle of view Normal 35 (10) ID = 27.20 mm (11)||12.42°|
|Entrance pupil (12)||77.1 mm / 3″|